展览时间：2020年8月22日-2020年9月20日
展览地点：北京市朝阳区酒仙桥路二号798艺术区797路山艺术-北京林正艺术空间
参展人员：何多苓 刘亚明 申胜秋 艾轩 孙浩 胡明哲
展览介绍:
“她”是现代汉语里常用的人称代词，专指第三人称的女性。在中国古代已有这个字，读作jiě，词义通姐妹的“姐”字。直到20世纪20年代女权运动的兴起，才出现tā这个音。遂“她”是新文化运动后女性解放、女性得到尊重的产物。展览以“她”命名，是作品中女性形象的泛指。从古代文明至今，不同时代的艺术家都尝试以女性为主题进行创作，作为艺术图像而呈现的女性形象贯穿其发展过程中。
娟娟 刘亚明 60cmx50cm 2003年作 布面油画
此次展览作品虽均以女性作为主题叙事, 但六位艺术家的描绘方式与视觉表达却有各自的审美取向与角度。艺术家选择不同时期，不同年龄阶段的女性，呈现的视角有凝视、有旁观甚至是背影，但均试图描绘主体本身的特色与性格，用温情的笔勾划出她们的美和魅力，微妙、细腻、敏感、多变。在看似平淡无奇甚至日常的状态中, 艺术家们透过“她”来表达内心的想法与对生命的真实感触。
考第一的女学生 申胜秋 80cmx65cm 创作年代 2000年作 布面油画
The word “Her” is commonly referred to as a third person perspective of a woman. But before the 20th century, there was no such word as “She” or “Her” which referred to woman in Chinese dictionary; as the Chinese character of “He” can also means “She”, and “Him” can also means “Her.” The closest text to the word “Her” is “Sister” before the 20th century. It is not until after the 20th century, when the rises of woman’s right movement, the word “Her” in Chinese was created. Therefore the word “Her” in Chinese bears many layers of meaning: the liberation of women and the evidence of respect in female. The name of the exhibition “Her”, although in general referred to as the images of women, shows the differences in ideas and themes of women by different generations of artists, and the role of women as visual symbol throughout the artists’ creative process.
女教师 艾轩 44.2cmx37.4cm 布面油画
她 孙浩 180cmx90cm 创作年代 2004年作 当代水墨 纸本
In this exhibition, although the main theme is female, the ways different artists describe and illustrate them aesthetically and visually are quite distinguishable. The varieties of selections of ages and stages of women present different angles of perspective of female. The characteristics and attitudes of the persons, the beauties or charms of the characters and the subtle emotions and delicate changes of the facial expressions all effortlessly show through the theme of “Her.”
郁金香 胡明哲 100cmx64cm 2005年作 当代水墨纸本
坐在沙发上的女人 何多苓 73cmx64cm 1985年作 布面油画